Another dip into the random vault of mysteriously named **MR**** tracks — apparently the internal naming convention my old TASCAM Portastudio used back in 2006. It’s not exactly helpful for identifying anything. All the mixed‑down versions eventually got real titles, but these raw four‑track sketches were left with whatever the machine decided to call them. So who knows what’s hiding in there.

This one surfaced under the incredibly descriptive name “Song B1.” It’s just guitar and drums, a bit of distortion, and a wah‑wah pedal doing its thing. Nothing polished, nothing mixed — just a snapshot from that era, rescued from the pile and given a place to live again, alongside the sea.

Here it is.